Dehua ceramics and Taiwan's Kinmen kaoliang "marriage knot"-2009.03.21
3rd to the 5th, 15 from Taiwan and China Ceramics Association pottery master Fujian ceramic craft artists, held in Fujian Dehua 2011 between Fujian and Taiwan ceramic cultural and creative Seminar and Fujian and Taiwan Ceramics Art Exhibition. " Cross-strait common potters around the modern ceramics design and creation, to explore the ceramic multi-cultural and creative industries development "theme, the purpose is to promote cultural exchanges between the two places, to promote the development of ceramic cultural and creative industries.
Taiwan honorary chairman of the Chinese Ceramic Society Suzheng Li told reporters: Taiwan and China Ceramics Association invited by the Arts and Crafts Society of Fujian Province, jointly organized with the Arts and Crafts Society of Fujian Province Dehua "2011 Fujian and Taiwan ceramic Seminar and Fujian and Taiwan Ceramic Art Exhibition of the cultural and creative activities. Activities in several parts, for academic exchanges, cross-strait potters exhibition, worship Dehua kiln God, visit Dehua Guyao sites, visit porcelain, porcelain Arts Institute, porcelain arts master. In the seminar, from Taiwan and China Ceramics Association Guo Shi Qian, Kevin Lin, Li Qiu Ji three potters, respectively firewood art, "frog pottery matter - the change of the copper glaze", "Sanying play Tao theme of the exhibition "Ceramic cultural and creative industries development made an academic report. Fujian Province Society of Arts and Crafts and the part of the institutions of higher education in Fujian ceramic arts and crafts experts with their Taiwan counterparts to share skills and experience of the porcelain.
Ceramic Art Exhibition in Fujian and Taiwan, Taiwan potters who brought 13 exhibits. After the end of the exhibition, a Dehua Ceramics Museum collection, 12 Dehua Ceramic Institute collection.
Taiwan and China Ceramics Association honorary chairman Mr. Su Zhengli on several occasions to Fujian Dehua, Fujian Porcelain counterparts old friends. Mr. Su is also the mainland famous kilns in Jingdezhen, Jiangxi, Henan Jun kiln and Ru, Zibo, Shandong, Shaanxi Yaozhou Cizhou, Hebei, Zhejiang Longquan Kiln, Foshan, Guangdong, and other historical producing areas of ceramic cultural exchange. Suzheng Li, chairman of Taiwan's Li Jing Pottery Research was founded in 1995, the current Taiwan Yingge Li Jing kiln CEO, honorary chairman of the Chinese Ceramic Society of Taiwan, China's ceramic design artist members of the Jury, who have participated in the Chinese and Asian ceramic works exhibitions and awards, multi-piece cross-strait museum. Very familiar with the development of cross-strait ceramics.
he told reporters: Dehua heritage of our five thousand years of ceramic history in Taiwan, although only 200 years of porcelain, but it is also the same strain with five thousand years of ceramic culture. At present, Taiwan innovation rich, especially in recent years in the promotion of creative industries in Taiwan, we may have a little more more innovation in the outcome report, this time left Dehua Ceramic Institute works of ceramic artists in Taiwan for young people to understand the characteristics of the Taiwan Ceramics. We hope that through the exchange of activities to promote the further growth of cross-strait ceramic culture.
Taiwan potters who visit ancestral during Dehua underwater, where worship the of Dehua porcelain manufacture worship the kiln God - kiln Square public. The Keelung Tao workstation said Mr. Chen Mingkun, from
: He is the first to come to the mainland, Dehua porcelain is very famous, he is admiring. Drip ceramic according to Keelung clay features creative Tianmu in Taiwan, this time with his own works for the progenitor Yonggungsa the altar, dedicated to the kiln God - kiln Square public. the worship kiln gods,
Taiwan Ceramics have visited Qu Dou Palace Dehua kiln sites. This kiln sites on behalf of the Chinese Song to Qing generations of folk ceramics kiln. Kiln excavated kiln base total length of 51.7 m, 1.4-2.95 meters wide, a total of 17 kiln chamber, unearthed more than 800 production tools and over 6790 complete or incomplete porcelain specimens. Records of Dehua porcelain production Northern Song Dynasty porcelain production, the Southern Song Dynasty to the production of green glazed porcelain, Yuan Dynasty to the production of white glazed porcelain, ivory porcelain to the Ming Dynasty to the production of low aluminum silicon the firing History. Dehua porcelain is well known in the world, referred to as "China White" by foreigners, since ancient times, the products are exported to Japan, Southeast Asia, India, Central Asia, East Africa, Europe, the largest number of Chinese export porcelain in sales to the most one of the widely folk kilns.
into the flexor bucket Palace Taiwan potters were Guyao to scale to the shock. Have issued screams. Posed for pictures at the door when you leave. leave
Qu Dou Palace, potters came Dehua Wang Yi Institute of Ceramic Sculpture Chinese ceramic artist Miss Chen Guiyu friends and Taiwan exchanges. See also the landscape of life Mania "Liang Jiwen
New Taipei City Yingge District, Zhao Lili couple first came to Germany. They feel that Dehua porcelain was great! said
Miss Zhao Lili: I feel great! If time, she would like to spend a month or two to see more. She felt Dehua ceramic can be combined with her painting. Mr Liu
said: here, after all, is the place of the motherland, a lot of things that are culture and history, from which we see a long history of its life, even better than we imagined. Just should be used, not have to be commercial, you can add more cultural and creative things, it can make people feel life can be art, art can also be life. So that everyone can cultivate in life, to give birth cultivate a loving heart, this is a good direction.
has been accompanied potters in Dehua Dehua porcelain activity Institute of Ceramic Art Department Associate Professor Zhang Nan Zhang years of exchanges with Taiwan counterparts, have repeatedly visited Taiwan potters. He said: Taiwan potters geared to nature. Many people still use firewood kiln firing the firewood kiln temperature is not easy to grasp, the ceramic burn out a large part of the quest for "Heavenly help, artistry and strong personality. Mainland a lot of people use electricity as heat, kiln temperature can be well controlled, the ceramic will burn out in a better position, which makes ceramic artists of the continent in the process in making ceramic harder, more able to "workman", a relatively large scale. The two sides combined "Heavenly craftsman", ceramic art, there will be more room for development.